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Mike davis meeting
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Sunday March 31, 2002 18:09 by dave lordan - swp dlordan at hotmail dot com
over 100 at Mike Davis forum on Bush's America. Around 100 people attended the Marxist forum on Bush's America introduced by Mike Davis in the Central hotel on Saturday. Mike spoke about the situation facing activists in America following 9-11 and gave generally positive report on the Anbti-capitalist and anti-war movement over there. Last year's state version of "three strikes" legislation--an even more Draconian variant of Clinton's crime bill--may add as many as 300,000 new inmates to an already grotesquely overcrowded and hyperviolent system. To keep even the most rudimentary shackles on this huge population, the state will have to loot its higher education budget for dozens of new prisons. In addition, there will be irresistible political pressures to reduce the cost of this human storage through a variety of technological and marketplace innovations. In this regard, Calipatria, which opened in 1992, is a particularly resonant example of how the Department of Corrections is already coping with the contradictions of its enormous success. The Death Fence Paramo is standing in front of an ominous thirteen-foot electric fence, sandwiched between two ordinary chain-link models. Each of the middle fence's fifteen individual strands of wire bristles with 5,000 volts, 500 amperes of Parker Dam power--about ten times the recognized lethal dosage. The electrical contractors guarantee instant death. An admiring guard in the background mutters: "Yeah, toast. . . ." The bill authorizing this "escape-proof" fence sailed through the state legislature with barely a murmur. Cost-conscious politicians had few scruples about an electric bill that saved $ 2 million in labor costs each year (a total of thirty sharpshooters, working three shifts per tower). And when the warden quietly threw the main switch in October 1993, there was general satisfaction that the corrections system was moving ahead toward its high-tech future. "But," Paramo adds ruefully, "we had neglected to factor the animal-rights people into the equation." The prison is just east of the Salton Sea--a major wintering habitat for waterfowl--and the gently purring high-voltage fence immediately became an erotic beacon to the passing birds. Local bird-watchers soon found out about the body count ("a gull, two owls, a finch and a scissor-tailed fly-catcher . . .") and alerted the Audubon Society. By January of last year, the "death fence" had become an international environmental scandal. After a CNN crew pulled into the prison parking lot, the Department of Corrections threw in the towel and hired an omithologist to help it redesign the fence. The result is the world's only birdproof, ecologically sensitive death fence. Paramo has some difficulty maintaining a straight face as he points out $ 150,000 of innovations: "a warning wire for curious rodents, anti-perching deflectors for wildfowl and tiny passageways for burrowing owls." Calipatria has also built an attractive pond for visiting geese and ducks. Although the prison system is now at peace with bird lovers, the imbroglio aroused the powerful California Correctional Peace Officers' Association (C.C.P.O.A.) to change the comparative ease with which management was going about "automating" the jobs of sharpshooters. To proceed with his plans to electrify all the state's medium- and maximum-security prisons (at least twenty facilities) over the next few years, Director of Corrections James Gomez may have to negotiate a compromise that preserves more of the "featherbed" guntower jobs. Calipatria's 3,844 inmates, needless to say, shed few tears for either the ducks or the sharpshooters. Their lives are entirely absorbed in the daily struggle to survive. Like the rest of the state prison system, Calipatria operates at almost double its designed capacity. In county jails and medium-security facilities, squalid tiers of bunk beds have been crowded into converted auditoriums and day rooms. In "upscale" institutions like Calipatria, however, a second inmate has been shoehorned into each tiny six-by-ten-foot cell. When "double-celling" was first introduced into the system a decade ago, it fueled a new wave of inmate violence and suicide. Civil liberties advocates denounced the practice as "cruel and unusual punishment," but a federal judge upheld its constitutionality. Now inmates can routinely expect to spend decades or even whole lifetimes (34 percent of Calipatria's population are lifers) locked in unnatural, and often unbearable, intimacy with another person. The psychological stress is amplified by the drastic shortage of work for prisoners, condemning nearly half the inmate population to serve their sentences idly in their cells watching infinities of television. As behavioral psychologists have testified in court, rats confined in such circumstances invariably go berserk and eat each other. The War Is On Even if that were true, panopticonism has been compromised by construction shortcuts and chronic understaffing. Although toilets sit nakedly in the middle of recreation yards as symbols of institutional omniscience, there are still plenty of blind spots--behind stairs or in kitchen areas--where inmates can take revenge on staff or one another. As Paramo warns visitors when they sign the grim waiver acknowledging California's policy of refusing to negotiate for hostages, "the war is on." For a quarter of a century, California prisons have institutionalized episodic violence between inmate guerrilla armies. Today there are more diverse gangs--including rising Asian and Central American factions--but the carnage is centralized in a merciless struggle for power between blacks and the East L.A.-based Mexican Mafia (or E.M.E.). In part, this reflects the recent dramatic shift in the ethnic composition of California's prison yards. In 1988, new admissions were 35 percent black and 30 percent Latino; five years later, the proportions were 41 percent Latino and 25 percent black. As a result, the entire system now has a slight Latino plurality (although blacks remain the largest group in Calipatria). E.M.E. reportedly has used this new clout to attack the black monopoly on the sale of crack cocaine both inside and outside the walls. Calipatria's gang-intelligence officer claims that the recent death of Joe Morgan, the E.M.E.'s legendary founder and sometime prison statesman, cleared the way for a younger, more ruthless leadership. In Calipatria, the last riot between blacks and Latinos occurred in July, when thirteen inmates were stabbed. As one guard described the melee--which apparently started in the central kitchen and spread to the housing units--"E.M.E. blindsided the Crips." as a result, the prison was locked down for four months, and the day rooms have been abandoned as too dangerous for mixed use. Paramo keeps a display of some of the captured weapons in his office; they include what looks like an obsidian dagger but is actually a "shank" made from melted black garbage bags. To deal with such explosions of violence, California's highest-level prisons have introduced extreme sanctions. Each institution now has its own "SERT" squad--a kind of internal SWAT team capable of countering outbreaks with staggering amounts of firepower. These paramilitary units have been widely praised for preventing inmate holocausts like the terrible butchery that took place in the New Mexico State Penitentiary in 1980. California does, however, tolerate extraordinary levels of official violence. Over the past decade, trigger-happy guards here have killed thirty-six inmates (including one in Calipatria)--more than triple the number killed in federal penitentiaries and the six other biggest incarceration states combined. Where sheer force fails to deter prison gangs, the Department of Corrections has another option: a gulag of deprivation along the Redwood coast known as Pelican Bay State Prison. Although its infamous Security Housing Unit, or SHU--a total-isolation bloc described by prison historian Eric Cummins as a "place of pure psychological destruction"--was recently criticized by a federal judge, it remains a popular model for other states as well as for the U.S. Bureau of Prisons' new "high-tech Alcatraz" in Florence, Colorado. "The necessary evil of the SHU," as Daniel Paramo sees it, "is that, for the first time, we can truly isolate the ringleaders and instigators from our general population." Yet, as Paramo also concedes, putting the godfathers in the deep freeze has had a negligible impact on the growth of prison-gang membership. Indeed, as an off-duty guard points out, "Removing the veteran leadership merely opens the way for wilder and more violent youngsters--who have none of the common sense of traditional convict culture--to take charge." As a result, he predicts an even more violent road ahead. "We will never defeat prison gangs. They come with the turf, and like it or not, they grow and prosper with the system." The White Flies Like an Old Testament plague, the white flies threaten the very foundation of the Imperial Valley's latifundian social order. In late summer, dense clouds of the tiny insects can sometimes be seen from planes approaching L.A. They are omnivorous and avidly attack all the local cash crops. Because of the flies, the melon crop, a mainstay of the local economy, wasn't even planted in 1993. Growers are losing $ 100 million every year and the valley is nearly bankrupt. The resultant layoffs have raised the local unemployment rate to nearly 40 percent. So Hatfield and other local leaders "thank God for the California Department of Corrections." Besides bringing 1,100 jobs to Calipatria in 1993, the C.D.C. has opened another, 4,000-inmate facility in the town of Seeley, making prisons the largest employer in Imperial County. (The corollary: One out of every twelve county residents is now a prisoner.) The department, moreover, is talking about adding a third prison, possibly for women, on the 2,000 acres of land it owns in Calipatria. Calipatria is a loyal member of the Association of California Cities Allied with Prisons, and Hitfield is proud of the micro-renaissance that the prison has brought to the town. She points out the new grocery and video stores on a main street that otherwise looks like the forlorn set of The Last Picture Show, and wonders aloud if the city could have afforded to light the Little League field without tax revenue from the cornucopia of prison wages. Still, she concedes, "there have been a few problems." Although the C.D.C. has committed itself to an eventual goal of 40 percent local hires, most of the high-wage guard and management positions have gone to outsiders. As these people have moved into the area (fifty-eight new homes since 1993), property values have increased by as much as two-thirds. This has been good for landowners, but bad for younger and poorer local families who do not have prison jobs. The population boom, in addition, has led to serious overcrowding the schools, and since prisons are exempt from paying local taxes there is no offsetting revenue big enough for expansion of services. Most troubling to Hatfield, however, are the prisoners' families--largely from the inner-city neighborhoods of Los Angeles, five hours away--who descend on Calipatria every weekend. Unlike their husbands and fathers, who are only abstractions to the locals, the families are tangible embodiments of urban disorder. Their misdemeanors, from sleeping in their cars to smoking pot in public, fill town gossip with new apprehensions. In Hatfield's words, "they erode our image of safety." It is hard to know how accurately Hatfield reflects public sentiment. Although Calipatria is 75 percent Mexican, there is only one Spanish surname in city government. Imperial County, with five Anglo supervisors ruling an overwhelmingly Mexican population, has long been nicknamed "California's Mississippi" for its exclusionary politics and oppressive labor relations. A similar pattern of electoral imbalance is found in the other depressed farm towns of the Colorado River and Central valleys that have welcomed medium- and maximum-security facilities in the past decade: Avenal, Blythe, Corcoran, Delano and Wasco. The prison boom is having a complex, and perhaps unpredictable, impact on agricultural caste society. On the one hand, local Anglo elites are being integrated into the spoils system operated by the Department of Corrections. There is considerable evidence, for example, of sweetheart deals involving land acquisition and construction. On the other hand, prison employment is producing a new Latino middle class in valley towns. Those gray fortresses, after all, are the first large, unionized employers that most of rural California has ever seen. The Politics of Super-Incarceration Novey has also leveraged the union's influence through his sponsorship of the so-called victims' rights movement. Crime Victims United is a satellite PAC, receiving 95 percent of its funds from the C.C.P.O.A. Through such high-profile front, groups, and in alliance with other law-enforcement lobbies, Novey has been able to keep Sacramento in a permanent state of law-and-order hysteria. Legislators of both parties trample one another in the rush to put their names at the top of tough new "anti-crime" measures, while ignoring their impact on prison capacity. This cynical bidding war has had staggering consequences. Joan Petersilia, a researcher at the RAND Corporation, found that more than 1,000 bills toughening sentencing under felony and misdemeanor statutes had been enacted by the legislature between 1984 and 1992. In aggregate, they are utterly incoherent as criminal justice policy, but wonderful as a stimulus to the kind of carceral Keynesianism that has tripled both the membership of the C.C.P.O.A. and the average salary of prison workers since 1980. From the beginning of the prison boom, at the end of Jerry Brown's administration in 1982, a host of critics have tried to wean the legislature away from its reckless gulagism. They have produced study after study showing that super-incarceration has had a negligible impact on the overall crime rate (which, in any event, has not significantly increased); and that a majority of new inmates are either nonviolent drug offenders (including parolees flunking mandatory urinalysis) or the mentally ill (a staggering 28,000 by official estimate). They have also repeatedly warned that a day of reckoning would come when the state would have to trade higher education, literally brick by brick, to continue to build prisons. That day, indeed, has come. While California's colleges and universities were shedding 8,000 jobs between 1984 and 1994, the Department of Corrections hired 26,000 employees to guard 112,000 new inmates. But instead of hitting the brakes, the legislature went full throttle. Last spring's "three strikes" law doubles sentences for second felonies and mandates twenty-five years to life for "three-time losers." To make the law constitutionally invulnerable to reform (except by an almost impossible two-thirds majority), it was also presented to voters as Proposition 184 in November. Proponents of the measure--led by the C.C.P.O.A. and Michael Huffington--outspent opponents (primarily the California Teachers' Association) 48 to 1 ($ 1.2 million versus $ 25,000). Moreover, since most Democratic candidates, including Kathleen Brown and Dianne Feinstein, supported the measure or were silent, voters had little opportunity to hear opposing arguments or weigh the epochal consequences of the law. The proposition passed easily. It's a measure of their complicity that prior to the election the Democrats refused to publicize the damning official estimates about the impact Proposition 184 would have on prison capacity. These were issued last March by the C.D.C.'s Planning and Construction Division. Simply to house the projected 1999 inmate population at the already intolerable 185 percent occupancy level, the state will have to build twenty-three new prisons (beyond the twelve already authorized). "This would require construction of more than four and one-half prisons per year in each of the next five fiscal years," the planners wrote. Within ten years, they predict, the penal population will increase 262 percent, to 341,420 inmates (compared with 22,500 in 1980). Commenting on these projections, a spokesman for Governor Wilson simply shrugged his shoulders: "If these additional costs have to be absorbed, I guess we'll have to reduce other services. We'll have to change our priorities." Which "priorities" were clarified in October, when researchers at RAND published an exhaustive fiscal analysis that concluded: "To support implementation of the law, total spending for higher education and other government services would have to fall by more than 40 percent over the next eight years.... If the three strikes law remains in place by 2002, the state government will be spending more money keeping people in prison than putting people through college." It is sobering to recall that the C.D.C., with twenty-nine major "campuses," is already more expensive than the University of California system, and that young black men in Los Angeles or Oakland are twice as likely to end up in a prison as in college. Proposition 184, moreover, promises a dramatic escalation in racial disparities. In the first six months of prosecutions under the new law, African-Americans (10 percent of the population) made up 57 percent of the "three strikes" filings in L.A. County. This is seventeen times the rate for whites, say public defenders here, although other studies have shown that white men commit at least 60 percent of all the rapes, robberies and assaults in the state. For State Senator Tom Hayden, who vigorously opposed Prop 184, California is sinking into a "moral quagmire" reminiscent of Vietnam: "State politics has been handcuffed by the law-enforcement lobby. Voters have no real idea of what they are getting into. They have not been told the truth about the trade-off between schools and prisons, or the economic disaster that will inevitably result. We dehumanize criminals and the poor in exactly the same way we did with so-called gooks' in Vietnam. We just put them in hell and turn up the heat." Back at Calipatria, meanwhile, the administration is already tinkering with the thermostat. Daniel Paramo cheerfully acknowledges that, faced with the Proposition 184 population explosion, the C.D.C. is considering putting a third inmate in each mad-rat cell. "We'll simply pack in as many inmates as the state orders. And, if the courts finally impose a limit, I guess we'll just build some new prisons."
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Jump To Comment: 1 2Fair play to the organisers, i enjoyed the meeting and found mike very straightforward and down to earth as well as obviously being a very involved activist. Thought the tea and coffee and biscuits were a nice touch as well and had some good chats about the way things are going afterwards. Just goes to show the interest that's out there in radicals that such agood crowd turn up on a saturday evening.
Heres some bio on mike below. You can get alot of his essays by just looking up
Unlike most writers on Southern California, Mike Davis is a native son. He was born in Fontana in 1946 and grew up in Bostonia, a now 'lost' hamlet east of San Diego. A former meatcutter and long distance truckdriver, he now teaches Urban Theory at the Southern California Institute of Architecture.
He is a co-editor of The Year Left: An American Socialist Yearbook and author of Prisoners of the American Dream (Verso 1986) and the brilliant City of Quartz: Excavating the Future in Los Angeles (Verso 1990), in which he recounts the story of Los Angeles with passion, wit and an acute eye for the absurd, the unjust and the dangerous. Davis' City of Quartz points to a future in which the sublime and the dreadfull are inextricable; a future which does not belong to Southern California alone, but terrifyingly seems to belong to all of us."*
Most recently he is the author of Ecology of Fear (buy the book).
Links to more Mike Davis
• MediaMatic
• LA Weekly Interview with Mike Davis, 11/26/98
Mike has also written a lot on west coast latino art, which is one of the most vibrant and oppositional cultures in the world.
Here's a piece called Learning from Tijuana
Five stories and butt-naked, La Mona (the Doll) stuts her stuff in the dusty Tijuana suburb of Colonia Aeropuerto. Distressingly--to the gringo eye at least--she looks like the Statue of Liberty stripped and teased for a Playboy centerfold. In reality, she is the home of Armando Muñoz and his family. Muñoz is an urban imaginer somewhere on a delirious spectrum between Marcel Duchamp and Las Vegas casino entrepreneur Steve Wynn. "Give me enough rebar and an oxyacetylene torch," he boasts, "and I'll line the border with giant nude Amazons." In the meantime, he eats in La Mona's belly and curls up to sleep inside her enormous breasts. When ADOBE LA's Gustavo Leclerc asked Muñoz why he built a house with pubic hair and dimples, he growled back, "Why not?"
¿Porque no?, Leclerc agrees, is an appropriate slogan for the West Coast's most astounding metropolis. Like Swift's floating sky-city of Laputa in Gulliver's Travels, Tijuana seems to defy the ordinary laws of gravity. With an estimated 1.4 million inhabitants, it is now larger than San Diego, San Francisco, Portland, and Seattle. Yet its formal economy and public budget are barely sufficient for a city one-third its current size. Grass roots audacity makes up the difference. "The Tijuanenses," according to Leclerc, "are world champions at the art of flying by the seat of their pants. Nothing fazes them. Just look at the exuberance of La Mona with her fist raised triumphantly in the air."
In their photographs, ADOBE LAóArchitects, Artists and Designers Opening the Border Edge of Los Angeles, a Los Angelesñbased group formed in 1992, after the Rodney King riotsóhas tried to capture the ironic optimism that undergirds the apparent chaos and callousness of the largest border city. Unhappy with the invisibility of Latino immigrants in the media and politics, the three Mexicans and one Salvadorean who make up ADOBE LA have celebrated their quiet heroism in a series of provocative installations, performances, and documentaries.
The quartet's individual portfolios reveal a shared fascination with the unmapped spaces of immigrant life. Mexico City born painter Alessandra Moctezuma, for example, has explored the tropical complexity of images in the dreamscapes of Latin American women. Leda Ramos, who grew up in a Salvadorean neighborhood near downtown L.A., has portrayed the daily dislocations between the intimacy of Latino family life and the alienations of sweatshop labor. Ulises Diaz runs a workshop for young graffiti artists from the mixed black and Latino neighborhoods of South Central L.A. And Leclerc, who describes himself as "a voluntarily defrocked corporate architect," has experimented with new forms of "intercultural public space."
Although ADOBE LA's previous work, including their much admired contribution to the Museum of Contemporary Art's Urban Revisions show, has focused on Latino street culture in Los Angeles, it was inevitable that the group would turn its attention back toward the border. This led to the current on-going research project, Huellas Fronterizas: Retranslating the Urban Text in Los Angeles and Tijuana. "Tijuana," Moctezuma explains, "anchors a continuous fabric of Mexican life that stretches all the way to Santa Barbara and beyond. Functionally, it is as much a part of Southern California as Laguna Beach or San Bernardino. And, in terms of vernacular architecture and popular culture, it has the most salsa. If Orange County is Wonder Bread, Tijuana is chile verde."
The populist flavor of Tijuana, of course, is scarcely savored by the day tourist from the Midwest. The radical shortage of water, and thus of formal landscaping, gives the city an arid, almost Saharan visage that reads immediately as Danger: Third World. Moreover, Tijuana remains stigmatized by its past life as a zona roja for the U.S. Pacific fleet. Yankees still fear contamination by their own moral sewage.
Yet for young Tijuanenses, who work in modern offices or Japanese branch plants, the handful of seedy bars left on Avenida Revolution, just like the zebra-painted donkeys, are nostalgic flotsam from a largely vanished world. In the context of today's industrialized border economy, "sin-tourism" is an insignificant factor. Moreover, Tijuana's income from North American tourism is now dwarfed by Mexican shoppers' purchases en el otro lado. Last year, patriotic Tijuanenses angered by the Clinton administration's creeping militarization of the border (e.g. the INS's "Operation Gatekeeper") attempted to flex their new market power in a boycott ("Operacion Dignidad") against San Diego County businesses. NAFTA, they reminded Yankees, is a two-way street.
One traditional Tijuana stereotype, however, retains its validity. Since the beginning of the population boom in the early 1950s, the city has suffered from chronic shortages of water and urban infrastructure. In large part, this environmental crisis is the result of deliberate disinvestment by a federal government which for decades has used Tijuana as a cash cow to finance modernization in more central regions. The ambitious, if belated, program of public works since 1980 has focused on the largely foreign-owned maquiladora belt (Nueva Ciudad Industrial) near the airport, rather than on the city's two-hundred struggling neighborhoods (colonias).
Faced with official neglect, the rank-and-file Tijuanenses have built the city, as they have built their homes and lives: from the ground up, in small, hopeful increments. In the absence of public investment, neighborhoods improvise their own infrastructures.
Thousands of old tires, for instance, shore up dangerously eroding hillsides. Communal associations, including trade unions, build nurseries, schools, and soccer pitches in districts ignored by the government. And, over time, cardboard squatters' camps slowly metamorphose into reasonably middle-class streets, replete with carports and satellite dishes.
Indeed, the true grit of Tijuana is most authentically revealed in the histories of its homes. A friend of mine once took me to his parents' house in Colonia Libertad, two blocks from la línea, the sinister steel wall that now defines the border. The spacious two-story home, he explained, had begun life in the 1950s as a small one-room concrete hut that housed nine people. As a child he had shined shoes and sold Chiclets to condescending tourists. Now, twelve structural additions later, the growth of the house recapitulates his family's rising fortunes. Now a Ph.D. psychologist living in Northern California, he was bringing his parents an electric dishwasher for their new kitchen.
Tijuana's bootstrap brand of urbanism ADOBE LA points out is antipodal to the monolithic utopias advocated by Le Corbusier and other modernists, where the city is the outcome of a single magisterial vision. In the Do-It-Yourself City, bricolage supplants master-planning, and urban design becomes a kind of art brut, generated by populist building practices. If only by default, the masses become the city's true auteurs, and architecture is not so much transcended as retranslated through its dynamic vernacular context.
A Tijuana icon almost as surprising as La Mona, for example, is the dramatic spherical theater at the municipal Cultural Center (completed in 1982). It is, of course, a realized version of Etienne-Louis Boullée's Project for a Cenotaph for Sir Isaac Newton (1784)óone of the great unbuilt, utopian designs in the history of architecture. In Cambridge or Paris, it would be a striking enough sight; but on the banks of the bone-dry Tijuana River, it becomes magic realism. The city that defies gravity exalts its discoverer.
The city's other public monuments, however, are mostly sterile eulogies to the PRI's discredited franchise on Mexican history. Everything touched by the bureaucratic hand of Mexico City seems to wither and die in the relentless Tijuana sunshine. Villa and Zapata look as dispirited upon their official pedestals as the statues of Marx and Lenin that once frowned over eastern Europe. When presidential nominee Colosio was assassinated in a Tijuana colonia in 1993, popular grief built a pyramid of flowers and letters at the site where he fell. Now there is a memorial plaza which Moctezuma calls "the most desolate patch of official concrete in all of Mexico."
La línea, by contrast, has unexpected energies. A steel knife slicing through daily life on both sides of the border, it is also, in Leclerc's words, "a superb stage for subversive practices of all kinds." "While the Migra is playing hide-and-seek with the mojados in the hills, kids from an adjacent colonia organize a soccer game on the U.S. side. Street vendors sell tamales. Artists build illegal installations. And Tijuana simply yawns in the face of its paranoid neighbor across the wall."
The members of ADOBE LA, meanwhile, have burnt their cultural green cards in public. "In a sense, we are Pete Wilson's worst nightmare," says Leda Ramos. "We are coyotes with sketchbooks and video cameras. We are trying to build an underground railroad of ideas between artists and activists in Mexico and Southern California. We openly celebrate the Latin American genius for urban improvisation, and, at the risk of vast misunderstanding, we advocate the 'Tijuanization of L.A.'"
¿Y porque no?